The medical staff consisted of a Dr. Poujoulet and two assistants. The authorities were always promising to send him more help, but it never arrived. One of the assistants, a Monsieur Dubos, a little man with a remarkably big beard, was a chemist, who, at the outbreak of the war, had been on the verge, as he made sure, of an important discovery in connection with colour photography. Almost the first question he asked Joan was could she speak German. Finding that she could, he had hurried her across the yard into a small hut where patients who had borne their operation successfully awaited their turn to be moved down to one of the convalescent hospitals at the base. Among them was a German prisoner, an elderly man, belonging to the Landwehr; in private life a photographer. He also had been making experiments in the direction of colour photography. Chance had revealed to the two men their common interest, and they had been exchanging notes. The German talked a little French, but not sufficient; and on the day of Joan’s arrival they had reached an impasse that was maddening to both of them. Joan found herself up against technical terms that rendered her task difficult, but fortunately had brought a dictionary with her, and was able to make them understand one another. But she had to be firm with both of them, allowing them only ten minutes together at a time. The little Frenchman would kneel by the bedside, holding the German at an angle where he could talk with least danger to his wound. It seemed that each was the very man the other had been waiting all his life to meet. They shed tears on one another’s neck when they parted, making all arrangements to write to one another. “I wanted to be a coward,” he said, “to keep out of the fight. I thought of the shame, of the petty persecutions—that even you might despise me. But I couldn’t. I was always seeing His face before me with His beautiful tender eyes, and the blood drops on His brow. It is He alone can save the world. It is perishing for want of love; and by a little suffering I might be able to help Him. And then one night—I suppose it was a piece of driftwood—there rose up out of the sea a little cross that seemed to call to me to stretch out my hand and grasp it, and gird it to my side.”!

“Well, have you two settled the affairs of the kingdom? Is it all decided?” asked Airlie. Mary put the indigestible-looking pasties into the oven, and almost banged the door. Miss Ensor proceeded to lay the table. “How many, do you think?” she asked. Mary was doubtful. She hoped that, it being Christmas Day, they would have somewhere better to go.

“No, we don’t,” she said, “not those of us who think. We know we shall never oust man from his place. He will always be the greater. We want to help him; that’s all.” She examined Joan awhile in silence. “Are you on the stage?” she asked. “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.”